Two bronzes, one without glaze and the second with two-tone glaze - exquisite state of preservation
Pectoral icon belonging to 18th-century Russian metal icons, realised according to the patterns of Vyg foundries.
It was certainly brought to the neck by the owner, as shown by the apical ring on the tower edge with Saint Mandylion.
The icon, while presenting significant signs of wear from rubbing, is in good condition.
Size: 6.85 x 5.05 x 0.2-05 cm. Weight: 30 g.
Sant'Antipa icon belongs to the Russian metal icons made in the 19th century. in the foundries of Moscow; with two colour glaze, it is in fine condition.
Size when open:
14.2 x 11.6 x 0.5-07 cm. Weight: 200 g.
Icon on wood of St Simeon of Verkhoturye, first quarter of the 20th century, built on a single board with egg tempera technique; size 13.1 x 10.3 x 0.9 cm. On top left is the Pantocrator blessing.
Expertise attached, with detailed transliteration and description of symbols.
Three family icons, coming from a family asset intended for domestic worship.
|Member since:||March 18, 2016|
Please note: some elements on this page have been translated automatically.Zakelijke afwikkeling was prima.
Heb twijfels over echtheid iconen.
Verkocht als stammend uit eind 18e, begin 19e eeuw maar lijken recent geschilderd op oud paneel.Please note: some elements on this page have been translated automatically.Le due grandi icone, composte ciascuna da una sola tavola dalle dimensioni quasi identiche, e i soggetti sulle stesse dipinti indicano che facevano parte dell’ordine delle Grandi Feste di una iconostasi. Su quell’iconostasi le icone erano state fissate con chiodi, alcuni dei quali ancora compaiono, piegati, sul versus. L’autenticità e l’antichità delle icone si possono ricavare dal dettaglio delle “teste” dei chiodi presenti sul rectus: le teste sono sopra la pellicola pittorica e non sotto.
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