Mixed media, Oil on canvas - Signed - original - without frame - 1960
|Artist:||René Charles Acht (1920-1998) Suisse (Hartung,..)|
|Title of artwork:||Nid d'oiseau|
|Technique:||Mixed media, Oil on canvas|
|Sold with frame:||No|
René Charles Acht (1920-1998) Suisse Tachisme-Abstract Art
Rare oil painting on canvas 73.5 x 92.5 cm, mixed technique brush-spatula, signed and dated 1960
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(Born on 24 March 1920 in Basel, Switzerland and died on 3 May 1998 in Herbolzheim in Fribourg-en-Brisgau). He studied painting and sculpture at the art and crafts school in Basel from 1936 to 1940. After several stays abroad, including in Sweden, Italy and Finland, he returned to Basel and started teaching in Basel as well as at the University of Fine Arts of Hamburg. From 1972, René Acht found a new home in Fribourg in Brisgau, where he pursued an active art career until his death in 1998. His first international successes in ‘art informel’ in the 1950s were the invitations to documenta II in Kassel (1959) and to the 5th Sao Paulo Biennale (1959).
His work has been featured in more than 100 individual and collective exhibitions in Europe, the United States and Asia and can be found in collections around the world: Rothschild, Paris; Thompson, Pittsburgh; Ströher, Darmstadt; Arp-Hagenbach, Meudon; P. Guggenheim u. Modern art, New York; Chicago; Château Moyland, Bas-Rhin; Vienna; Bael; Zurich; Ulm; Duren; Fribourg and others
Tachisme (source Wikipedia)
The term “tachisme” was used around 1880 to define a variant of Pointillism. It ran in the newspapers along with all the —isms that designated the artistic movements of that time. The critic Félix Fénéon used it in 1889 to describe the technique which, in 1862, gave the name to the Italian macchiaioli, including a canvas by Giovanni Fattori that was exhibited in Florence in 1867 with the title Le macchiaiole (“The small stains”). Maurice Denis also used it in 1909 to refer to the fauve painters.
The critic Pierre Guéguen used it pejoratively in 1951. It was then reused in 1952 at the initiative of critic Michel Tapié in his book ‘Un art autre’ to designate one of the features of ‘art informel’, which corresponded with the gestural techniques equivalent to those that appeared after 1946 wiht Jackson Pollock, at the heart of abstract expressionism and which were qualified as action painting by the American critic Harold Rosenberg in 1952. The expression was again used in 1954 by critic Charles Estienne, to define the work of Hartung, Riopelle and Soulages in particular, then in his work ‘L'Art à Paris 1945-1966’.
This style of painting is a reaction to cubism and geometric abstraction, characterised by spots of colour resulting from spatters, brush splashes or spontaneous jets of paint on the canvas laid vertically or horizontally, drips, also possibly carried out using containers with holes according to the technique used by Jackson Pollock or directly from the tube such as the technique used by Georges Mathieu, sometimes reminiscent of calligraphy, particularly in drawing.
Tachisme claims to express itself through pictorial material alone and therefore also opposes European abstract painting in the 1940s-50s which, although repudiating the figurative content, stays faithful to the classic values of composition.
Some first beginnings appear with the surrealists as well, who experimented with various techniques and forms of automatism (Picabia, La Sainte Vierge, 1920, MNAM, Paris). The paint splashes used by Max Ernst and by André Masson around 1940, are purely surreal by the role played by chance, but are the first signs of “tachisme” before the term even existed and could even have exerted direct influence on Pollock’s dripping during the time that Masson and Ernst were staying in the United States during the Second World War.
Catawiki member since November 21, 2014, received 57 reviews in total (31 in last 12 months)
|Feedback score:||96.3% (31 reviews)|
|(last 12 months)|
Please note: some elements on this page have been translated automatically.Received a beautiful little bowl by Daum. It answered fully to the description and photographs and it was well wrapped. On top of this came a very speedy delivery. Full marks for this seller.
Please note: some elements on this page have been translated automatically.Lijst was stuk, en zeer slordig gerepareerd. Was niet gemeld in de text. Jammer...
I think I paid a lot of money for an old poster!Please note: some elements on this page have been translated automatically.Dear Sir, You do not buy a poster but an original lithographie. You can inquire the renowned coaching house of Paris label on the back ( which still exists) frames only valuable original objects and not posters
Arrive quickly, very carefully packed. It is lovely and as described. We're very pleased.
Item delivered quicklyPlease note: some elements on this page have been translated automatically.Désolé je dois des excuses a l'acheteur. En effet je viens de constater que mon dans mon annonce il manque mon explication sur l'état de l'objet a savoir " Etat bon avec usure du temps et 2 micros rayures " n'a pas été pris en compte dans mon annonce Erreur de ma part j'assume pas contrôlé avant publication. Mais cet objet reste une magnifique pièce de collection très rare a trouver. J'ai proposer un dédommagement a l'acheteur
Please note: some elements on this page have been translated automatically.lot toujours pas reçu et aucun avis de passage.
Daniel RégisPlease note: some elements on this page have been translated automatically.Je viens juste d'apprendre hier le 05 04 18 par un message de l'acheteur que le colis n'est pas encore livré par Colissimo. Viens d'échanger avec l'acheteur hier le 05 04 18 puis j'ai directement déposé une réclamation auprès de Colissimo. Mais constate que l'acheteur
me donne une note négative alors que ce retard est dût a Colissimo. Je dois avouer que trouve cela pas très fair-play de sa part.
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