Silkscreen/Serigraph - Signed - 230 - 1977
|Title of artwork:||Untitled|
|Image size:||19.5×28.5 cm|
|Total dimensions:||19.5×28.5×0.01 cm|
|Sold with frame:||No|
Yves Laloy; From La Lune en Rodage III
Medium: Silkscreen Print
19.5 x 28.5 cm
Editor: Edition Panderma, Basel
Year: published 1977
Edition: This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered)
Edition Panderma, Carl Laszlo, Basel
Galerie von Bartha, Basel
Private Collection, Basel
Condition / Restauration:
good condition, two very fine bends on the paper, easily to restore
A rare limited edition of the portable collection of post-war and contemporary art La Lune en Rodage III. This is an unnumbered copy of 230 editions (65 hors commerce were unnumbered) and part of the third serie of the La Lune en Rodage books. La Lune en Rodage was published in three volumes in 1960, 1965 and 1977 containing a total of approximately 180 art pieces which provide an account of the artistic avant-garde scene between the 1950s and 1970s. The art works were gathered by Carl Laslzo and included the greatest artists of the time who contributed with important pieces, often marking a turning point in their production and carriers: Enrico Castellani’s work for example is his first documented graphic work and Piero Manzoni's multiple Achrome is the only one produced by the artist.
Yves Laloy’s paintings defy categorization. André Breton was the first to call his work surrealist, a label that Laloy felt overly limiting. Yet, Laloy embraced another relationship also put forward by Breton: one that invoked an analogous aesthetic relationship between his paintings and Navajo sand paintings, ephemeral images created by Navajo spiritual leaders exclusively as part of the Nightway ceremony. Breton reasoned that, “while a composition of Kandinsky responds to symphonic ambitions, a painting [made] of Navajo sand is primarily concerned with cosmogonic preoccupations and tends to influence the course of the universe in a propitiatory way.” For Breton, Laloy’s paintings enabled the ability to “see” beyond the visible. Paintings like Montez (Uma), on view here, are examples of the artist’s preoccupation with Indigenous art and spiritual practices in the Americas. They also are indicative of a time when many artists and writers in Western Europe were actively appropriating the aesthetics of objects from the Americas and Africa—often without an understanding of these works beyond their visual qualities as a means of accommodating a felt lack in their own societies—the perceived loss of the magic, ritual, and the sacred. Much like Marilou Schultz’s weavings, the patterning in these paintings also invokes the aesthetics of early digital technology. (from: http://www.documenta14.de/en/artists/21977/yves-laloy)
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Catawiki member since March 14, 2018, received 213 reviews in total (153 in last 12 months)
|Feedback score:||100% (153 reviews)|
|(last 12 months)|
Please note: some elements on this page have been translated automatically.Ik ben licht teleur gesteld. Het betreft een print afkomstig van een laserprinter. Je kunt dit met een vergrootglas perfect zien aan de rasters.
Contact met verkoper was zeer correct.
Please note: some elements on this page have been translated automatically.SUPER, prachtig werk, uitstekend verpakt, snelle en goede communicatie.
Probleem; verzendbedrijf DPD laat pakketten buiten achter als ik niet thuis ben. Ik heb dit gemeld maar het blijft onbetrouwbaar
Very carefully packaged, quick delivery and superb item.
Envío rápido y embalaje perfecto.
Please note: some elements on this page have been translated automatically.Received the perfectly packed artwork in 8 days (6 workdays) after payment, quite fast if you consider it had a big distance to cross. Artwork in very good condition. I'm happy!
Packed and delivered with care and on time.
Graphics look as were shown on catawiki.
Great deal! Fast delivery, great and absolutely safe packagig! The item fully meets the description and is in excellent condition.
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